![]() ![]() Mos Def's final solo album for Geffen Records, titled True Magic, was released in 2006. The single "Sex, Love & Money" charted, and was nominated for a Grammy Award. The album reached #5 on the Billboard 200, making it the most successful for the artist to date. It included contributions by Shuggie Otis and Bernie Worrell, Doug Wimbish, and Will Calhoun as the Black Jack Johnson Band. Visit the Ridgeline Media website to see the company's portfolio and learn more.In January 2002, Rawkus Records was taken over by Geffen Records, which released his second solo album The New Danger in October 2004. Get your copy of their 2021 album 'Sad Looks Pretty To Me' here and head here to view all of the band's upcoming tour dates. Or with whatever else you may be doing in graphic design, these will all surely be helpful in your own career.įollow RIVALS on Instagram, TikTok, Twitter, Facebook and Spotify. Thanks to Kalie Wolfe for these must-know tips for anyone working in the graphic design field with aspirations to partner with musical artists. ![]() Allow yourself and your client the time to communicate, review multiple drafts and revisions, gather feedback, and collaborate on improvements. ![]() Stick to the timeline that you know you can work within, try to avoid distractions, and do not rush through your project or feel intimidated by your client to meet an unreasonable deadline.Īrt takes time, and bringing your vision to life takes time. Be open and honest with your client, and communicate how long you need to complete a first draft. I get it your client is excited, they want the work fast because they want to release their music fast…but a good designer typically will set a time frame of how long a design should take. ![]() Do your best to ask for these details from the band at a minimum before starting the work: The more information you get, the more inspiration you will find. There is something about being able to see the style my client is going for that brings inspiration to me as a whole! If you are really stuck, try asking for the song or album that you are trying to commission for as well as lyrics. So for the sake of everyone’s time, make sure you are provided some type of concept, idea or inspiration. As much as I love shooting in the dark (.Not!) it's very unlikely anyone will like the first concept without any context into what the band has visualized for their work. The band should be coming to you with some type of idea or even a Pinterest board of other ideas that are inspired by their music, brand, style, and general vibe. Do NOT just start the work without having some form of idea, concept, or even preferred colors and fonts from the band. You do not need to accept every commission request and it’s okay, which actually brings me to my next point… Respect yourself and the value of your work. You may even struggle to find motivation or inspiration on the project. The saying “you get what you pay for” is accurate when it comes to good design.Ī graphic designer’s work is valued by their time and experience, and you may not be able to provide work you will be proud of if you feel rushed or cheated on your rate. Yes, negotiation happens and you may work out a small discount or price reduction – but graphic designers also need to eat and pay rent – if a band is hiring a designer for a commission but not paying enough for their time, they may not like what they get. Designers spend years and years perfecting our craft if we want to charge $500 for a commission, reducing the rate to $150 is just plain degrading – and will probably get your client’s design thrown to the bottom of the work pile. I feel as though this might seem harsh as all of us are on a budget, but similar to musicians, a lot of graphic artists charge what they charge because they feel as though their time and work is worth the price tag. Never Provide Free Work or Grossly Discount Your Rate ![]()
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